Members of Leeds Surrealist Group are participating in the exhibition ‘La Photographie surréaliste en 2020’, organised by the Paris Surrealist Group, at Amarrage, 88 rue des Rosiers, Saint Ouen.
In his review of The International Encyclopaedia of Surrealism, published in Infosurr no. 142, the art historian Michel Rémy describes our group’s activities as ‘assez erratique’.
If this were true, we would have absolutely no problem with such an epithet, given the trajectory of the surrealist adventure can be as erratic as life itself.
We have known M. Rémy, a specialist in ‘British Surrealism’, since having first encountered him in the late 1990s, so were somewhat surprised at his dismissive remark, without his firstly having researched or enquired about our activities.
Perhaps holding group meetings each week for over twenty-six years is considered as being neither a sufficiently surrealist activity nor one of sufficient regularity, and in M. Rémy’s view is thus ‘erratic’. Or is it that we are being assessed in terms of ‘productivity’ and found to be turning out insufficient quantities of ‘art’ or ‘literature’?
We will not list here the publications, games, events, exhibitions, etc. that we have been responsible for, nor those that we have contributed to, either as a group or individually. That would be tedious and, for those who have the curiosity to find out for themselves, could be established without much effort, particularly if one is a specialist in ‘British Surrealism’. Besides, we do not subscribe to current predilections for information overload, which are often taken to the point of flagrant exhibitionism.
What is visible of our group through our publications and exhibitions arises from a truly collective activity; it is, however, a necessarily partial and limited view, most of our activities being ‘occulted’ from the public gaze.
Given the context of M. Rémy’s remarks, which were made in consideration of ‘group’ activity, they inadvertently, but usefully foreground a confusion over what a surrealist group is and how it can be defined. There is an important distinction to be made between a surrealist group and an association of like-minded individuals who come together to put on an exhibition or publish some of their writing, whether on paper or on a screen, but have no true collective foundation as such.
Surrealism, as it manifests through the life of a group, is foremost a question of collective experience, which is by far its most important ‘product’.
Leeds Surrealist Group
Gareth Brown, Stephen J Clark, Kenneth Cox, Luke Dominey, Amalia Higham, Bill Howe, Sarah Metcalf, Peter Overton, Jonathan Tarry, Martin Trippett
24th July 2020
A pdf of the above statement can be dowloaded here: Assez Erratique?.
In November & December 1994 we organised a major season of films made by and admired by surrealists, with a number of films selected by the surrealist groups in Madrid, Paris, Prague & Stockholm. Given that the brochure for this is very difficult to get hold of, we have decided to make it available as a free download here: Surrealists Go To The Cinema 1994.
Given that Manticore No.2 has been out-of-print for some time and very difficult to get hold of, we have decided to make it available as a free download here:
LEEDS SURREALIST GROUP are holding an exhibition ‘Encounters Under Black Lamplight’ at Inkwell Arts, Chapel Allerton, Leeds LS7 3LW from 15th June to 7th September 2019
Further details can be found on the Inkwell Arts website here.
The opening times for the exhibition are Tuesdays to Fridays 11am to 2pm and Saturdays 10am to 4pm
80 pages • B5 format • ISSN 1755-0009
texts, poems, images, collective games on the theme of
LANGUAGE & LIBERTY
for full details see the Surrealist Editions website